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Amahl and the Night Visitors

Worcester Opera Works performed Amahl and the Night Visitors on January 9-11, 2009 at Gordon Hall (First Baptist Church, 111 Park Avenue, Worcester). 

CAST:

Amahl- Varun Shankavaram, Ryan Matthew Beals
Mother- Mauri Tetreault, Elaine Crane
King Kaspar- Randy Posey
King Melchior- John Salvi
King Balthazar- Dave Bonneau
The Page-  Andrea Pisani
King Melchior cover- Ryan Burns
Oboe soloists- Joe Halko, Chris Hewes

Chorus of Shepherds and Villagers- Betsy Fiedler, Meredith Prato, Amanda Sullivan, Lauren Cook, Megan Troy, Hadley Crane, Paige Crane, Holland Crane, Samantha Centerbar, Victoria Kephart, Rick Kimball,  Tom Sullivan, Patty Maciarowski, Kate Maciarowski, Alice Burns, Chatham Ball, Emily Suuberg, Ryan Burns, Phil Helzer, Rick Kimball, Emily Tetreault, Rachel Morse

 
Stage director-Rebecca Grimes
Music director- Ian Watson
Choreographer- Cory Lane Anderson

This program is supported in part by a grant from the Worcester Cultural Commission, a local agency which is supported by the Massachusetts Cultural Council, a state agency.

 


Photo Slideshow


Click on this link to see the YouTube slideshow of photographs from this production


Review:

January 14. 2009 10:15AM

‘Amahl’ production WOWs audience
By Dan Sweeney Telegram & Gazette Reviewer
 
Worcester area residents found a belated Christmas present at the First Baptist Church on Friday night as WOW, Worcester Opera Works, presented Gian Carlo Menotti’s “Amahl and the Night Visitors,” and wow was felt by all with their gift.

They say great gifts come in small packages, and I’m here to attest that is true. Working from a small stage, with no real wings, stage director Rebecca Grimes, musical director Ian Watson and choreographer Cory Lane Anderson took us all to another time and place, in as tight and beautifully sung a presentation that could have been found at the Met.

Commissioned by NBC in 1951 to write an opera for television, Menotti was at first reluctant to do so, until he saw a painting of Bosch’s “Adoration of the Magi,” and the story of “Amahl” quickly emerged.

The music is carefully written, especially for the treble lead, and puts the opera within easy reach of amateurs, but it is in no way simple or dull. Its tight construction, sentimentality and humor make it the quintessential vehicle to introduce opera to children.

On stage Friday night were no amateurs, beginning with sixth-grader Ryan Matthew Beals as Amahl. A student at the Sherwood Middle School in Shrewsbury, Ryan began performing at age 7, and he looks as at home on stage as Manny Ramirez must have looked when he first put a bat in his hand. This boy can act, and it was very easy to follow the opera through his actions.

The curricula vitae of the rest of the main singers made you wonder how Elaine Crane, WOW’s executive director, was able to assemble them all for the small stage at Gordon Hall, for the singing was incredible. Mezzo Mauri Tetreault, as the mother, had the most difficult role to play. Hers is an extensive part that requires a lot of emotion, but you have to be careful to be not too operatic. This she accomplished while still being able to show the struggles her character was undergoing.

The three kings, William Posey (King Kaspar), Dave Bonneau (King Balthazar) and John Salvi (King Melchoir), with Andrea Pisani (Page), brought out all the purpose of their journey, with fine singing and humor. Hearing baritone John Salvi’s King Melchoir made the price of admission the bargain of the year.

Kudos also to Cory Anderson for such an entertaining dance set, while keeping all 10 dancers from falling off the stage.

That indispensable gem of Worcester, Ian Watson, led the small assemble of musicians (Ian Watson piano, Joe Halko and Chris Hewes oboe) through a wonderful rendition of the score, while at the same time directing the chorus from the keyboard.

Great cities are blessed with great cultural institutions. With Opera Worcester, the Worcester Chorus and the Worcester Collegium orchestra, Worcester certainly qualifies. The Worcester Opera Works can now be added to that group.

Bravo WOW.

Article in Worcester Telegram & Gazette:

January 04. 2009 8:24PM

‘Amahl’ visits later than usual

 
By Richard Duckett TELEGRAM & GAZETTE STAFF
rduckett@telegram.com
 
Picture
Left to right, Varun Shankavaram, Elaine Crane, Mauri Tetreault and Ryan Matthew Beals. They will share the roles of Amahl and his mother.
The spirit of the holiday season lingers a little longer this weekend in the form of the Worcester Opera Works production of “Amahl and the Night Visitors” at the First Baptist Church of Worcester.

The “night visitors” in question are the three fabled kings, Kaspar, Melichor and Balthazar, who, while following the trail of a bright star, briefly pause for rest at the humble home of Amahl, a crippled shepherd boy, and his mother. A miracle will ensue.

Composer Gian Carlo Menotti infused the sweet but often humorous one-act opera with lots of lovely melodies. “Amahl” became an instant classic when it was broadcast on NBC-TV in 1951. Locally, seasonal performances of the work were a longtime tradition of the Salisbury Singers

Elaine Crane, executive director of Worcester Opera Works, went to some of those, organizing groups of home-schooled children to attend.

“It’s been a favorite a long time,” Crane said.

So “Amahl” will be the third major annual production of the still young Worcester Opera Works, which has pledged to bring full-scale, home-grown operatic productions to Worcester and also visits schools with touring productions. It puts on a summer series of concerts and was also active at First Night Worcester last Wednesday with a mini-version of “The Magic Flute.”

“Amahl” will be performed with two sets of mothers and Amahls divvying up the four shows. Mauri Tetreault (mezzo-soprano) and Ryan Matthew Beals will perform the roles at 8 p.m. Friday and 4 p.m. Saturday, while Crane (soprano) and Varun Shankavaram will be featured at 8 p.m. Saturday and 2 p.m. Jan. 11. Randy Posey, John Salvi and Dave Bonneau play the kings, stage direction is by Rebecca Grimes, musical direction by Ian Watson and choreography by Cory Lane Anderson. The performances are in the church’s Gordon Hall.

The chorus has a number of teenagers in it, and exposing young people to opera is something Crane attaches a lot of importance to. “Teens will come because their friends are in it.”

Asked about performing “Amahl” after Christmas, Crane said she doesn’t think people will have already lost the holiday spirit. “Especially since we had a week taken away from us all,” she said, referring to the ice storm, which left Crane and her family without power for about a week. “And it’s still applicable. We’re doing it at Epiphany.”

Meanwhile, producing a show post-holiday has practical advantages. “I think it makes it easier for the people (performing) if it’s done after. And if you do it before (Christmas) you’re competing with so many things.”

Last year, Worcester Opera Works staged its major production of the year — a double bill of “The Impresario” by Mozart and a new work, “The Beautiful Bridegroom” by Dan Shore of Boston — in February.

Still, “We may have to rethink when our major production is going to be. Figuring out the time is the trick, but we may have another one at the end of the summer,” Crane said.

As with any artistic company trying to get matters established, Worcester Opera Works is still working things out. Last year, besides staging “The Impresario” and “The Beautiful Bridegroom” at First Baptist Church, the company also took it to Church of the Redeemer, Chestnut Hill, and the Northampton Center for the Arts.

Opening night was snowed out, but “the production itself went very well. It did the best in Worcester. We learned a lesson. I think we’ll stick to home,” Crane said.

Overall, “We’re doing quite well. We’re in the black and we have been since we started.”

Besides First Night and “Amahl,” the company has been working on a new opera to take to schools. “Diamonds and Toads” is a folk tale written by Crane and adapted to music by Mozart.

Last year’s summer concert series was held at the Briarwood Community Center and featured four weeks of performances by artists including Erin Conley, Randy Posey, Jacque Eileen Wilson, Richard Monroe, Stephanie Mann, Rick Mahoney, Michael Belle, Grimes and Crane. The concerts were narrated by Richard Kimball.

First Baptist and Briarwood have been very accommodating hosts, Crane said, but Worcester Opera Works makes no secret of its desire to find a permanent home.

“We’ve been talking with people about finding a place that might like us as their artists in residence. We would like to have a home base,” Crane said.

The Hanover Theatre for the Performing Arts has a strong community outreach philosophy and has already hosted productions by local groups. Crane was asked about Worcester Opera Works putting on a production there.

She noted that the instrumental musical accompaniment for “Amahl” is a piano and two oboes. That’s perfectly fine for Gordon Hall, but the musicians may look a little lonely in the 2,300-seat Hanover. A production there would need a full orchestra.

“We couldn’t afford to pay an orchestra,” Crane said. However, she would be happy to talk to any orchestras who might be interested in some sort of collaboration at the Hanover.

“I think we have the talent to be there,” she said decisively.
 

Article in Worcester Magazine:

Local cast brings Amahl to life Print E-mail
Written by Doreen Manning   
Tuesday, 06 January 2009

Opera in Worcester. An unlikely place? Maybe. But with a two-fold mission of bringing both opera performance and education to all ages at the forefront of what they do, Worcester Opera Works (WOW) launches 2009 with a fitting production of Amahl and the Night Visitors January 9-11 at Gordon Hall, Worcester.

Commissioned by NBC in 1951, Amahl lives in history as the first opera written solely for a television performance. American composer Gian Carolo Menotti’s one-act opera seems like a perfect choice for Worcester Opera Works, as this fully staged and accessible-to-all production features local professional singers young and old from throughout the area, and follows the familiar seasonal tale of the three kings following yonder star. The kings’ overnight visit to Amahl and his mother’s home inspires a tale of repentance and generosity that speaks to all ages.

ImageStage Director Rebecca Grimes, who co-directs with Ian Watson, explains that one of the show’s biggest challenges is the wide range of acting demanded from the young lead. “Menotti was very specific in his production notes in that the role of Amahl should always be played by a boy, and when casting, directors should choose a child who is a little rambunctious,” explains Grimes. “Menotti wanted Amahl’s personality to outshine his singing.”

To help give the character its full due, — Ryan Matthew Beals, 11, and Varun Shavakarum, 12.

Rehearsing since last spring, both boys bring a level of youthful enthusiasm to the production. “It has been a lot of fun,” says Beals, who is new to WOW but has been performing since the tender age of seven. “Varun and I have become friends. I really enjoy working with him.” Each boy has been cast with a different actress performing in the role of mother, which has given them the opportunity to watch and learn from each other. “This has been an awesome opportunity. Playing the lead role and working with such a talented cast and production team has been great,” Beals says.

For Westboro’s Shavakarum, his background in Indian classical music began at age seven. This is also his first WOW production. “This whole thing is a new experience for me and I am pretty much excited by the entire production,” says Shavakarum. “I really enjoy meeting and rehearsing with all the professional singers. It also amazes me as to how much work goes into these productions.”

With double casting, Grimes feels the production is infused with nuances that otherwise may be overlooked.

“I try very hard as a director to respect each singer’s interpretation of their individual role. I don’t think there is one ideal portrayal of any role, and quite frankly there is always a hint of the singer’s soul in whatever role they happen to be playing, so to force them into a cookie cutter character is a little oppressive,” Grimes says. “One of my strengths is that I will begin with an overall vision of what the show should convey, but I try to let the actors go and rein them in only when they are getting too far outside the parameters of the original vision. To me that is exciting, to watch someone have the freedom to perform at their best.”

Worcester Opera Works presents Amahl and the Night Visitors. January 9 (8 p.m.), 10 (4 and 8 p.m.) and 11 (2 p.m.) at Gordon Hall, First Baptist Church, 111 Park Ave., Worcester. $15, $12 grades 12 and under. Tickets online at worcesteroperaworks.com, email tickets@worcesteroperaworks.com.

Last Updated ( Sunday, 11 January 2009 )
 
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